The Five Remembrances
Brandel France de Bravo | Poetry, swamp pink Prize
about the last day the continents touched—and there was
a last day—or the last night a chunk of earth split off, became the moon
—“Land Masses,” Jennifer Martelli (1962-2025)
Amble in one direction—there’s no loop trail in these woods. Aging’s about
bureaucracy, its tedium, and border crossings that close behind you, and the
cusp of nothing: seed, sprout, flower, fruit, seed, sprout, and on and on, no last.
Death isn’t last, either, though lasting. Finally, predictably, one wisp of a day
everything changes. A scan, a blood test, even your bed is prescribed rest, or the
fall happens and you realize succumbing to gravity isn’t half-bad, the continents
gently drifting beneath your life raft, and the ubuntu of it all leaves you touched.
How many viruses see you as career move, cancer cells as a starter home? And
isn’t real generosity giving of yourself, giving what you most hold onto? There
(Just in! Breaking news!) will be no appeal; the sentence must be served. It was
knuckleheaded of you—as in, human—to think otherwise and to think that a
life consists of thoughts you sift like lumpy flour, thickening the gravy on your last
meat, the one no Heimlich will dislodge, expel onto the lace tablecloth the day
not even your mother’s trained finger can detect breath from your nostrils or
open mouth, proverbial pie hole, your rictus of collapse, hungry sink hole in the
Pennsylvania, no, make that the Scranton your face has become in its last
quarrel with inevitable. You put on your striped pajamas and practice every night,
releasing yourself as your father once did, holding you in water, then suddenly not, a
skill like living with less, memory chipped away, a rock of cocaine, chunk by chunk.
Tell your friend if you lose each other in the mall to meet by the Payless at ten of
underworld where mycelium will knit you together again in moist gossip. The earth
values only your topographies, attempts at elevation, your San Andreas fault split
wide, your riparian battle against erosion, the doltish lava you managed to shut off.
Xenolith, a fragment of rock embedded in another rock, belongs to this terrain. It became
your golden shovel, another’s words inside your own, inheritance and fusion. The
Zygote is similarly diploid, a fertilized ovum. On Google, it looks like an aureoled moon.
Brandel France de Bravo’s third book of poems, Locomotive Cathedral (2025), was selected in the Backwaters Press contest, an imprint of the University of Nebraska. Her poems have recently appeared in Best American Poetry, 32 Poems, The Cincinnati Review, Denver Quarterly, The Southern Review and elsewhere. She has received fellowships from the DC Commission for the Arts, the Hermitage Artist Retreat and the Virginia Center for the Creative Arts. www.brandelfrancedebravo.com