Some Melodious Plot vi. Plato's Birdcage
Anthony Borruso | Poetry
The United States government murdered over 12 billion birds over the course of 1959 threw 2001. As they killed off the real birds they replaced thim with surveillance drone replicas. Indistinguishable from a biological bird. There are now no real birds left.
–Official Birds Aren’t Real Informational Van Bumper Sticker
vi. Plato’s Birdcage
And, after all this cacophony of beaks
and talons and dusking, dawning song,
we return to philosophy with a bruised
orbital and a spatchcocked consciousness.
A leaky boat and a capsized ego.
Grossly proud of his Republic, Plato
purged us on account of our
wings and trilling dispositions,
locked us away in a studio apartment
without rent control. Then worse,
Oprah banned us from her Book Club
when we weren’t even doing anything
devious; Ginsberg was off in Tangier,
and Dickinson had subsumed
her passions into something beyond the
body and its mess of sensation. It was
wrong, but we kept writing, doing
weird things to our readers, like telling
them about the taste of an angler worm
or the shamelessness of the mockingbird
who refuses to cite his training data
and many pirated melodies. Land ho!
We wear our exile like magic robes
and have a single spirit we coaxed
into doing our dirty work. The landlord,
Prospero, says we’re surrounded
by a soiled ocean called asphalt.
He keeps us up at night, desperately
pleading for applause. The Republic
isn’t any better with its dorky guardians
and daily dose of surveillance. Plato recently
outlawed mimicry, cut funding for the DMV.
At least we have fun. Last week, Keats
stole Coleridge’s stash of Opium
and smoked himself into a goldfinch.
Wielding a pretend militancy, we
assemble on phone lines and salute:
Yessir, Chaucer, the eagle has landed
a lovely wife and a dead-end job. We chirp
slant truth and await Nature’s verdict.
We’re not perfect, but no one cares to observe
us, not even the hawk, or the falcon.
Anthony is a Visiting Assistant Professor of English at The University of South Florida and a Managing Editor of Divedapper. He holds a Ph.D. in Creative Writing from Florida State University, where he served as Poetry Editor for Southeast Review. His poems have been published or are forthcoming in Academy of American Poets, Beloit Poetry Journal, Pleiades, The Cincinnati Review, The Journal, and elsewhere. Winner of the 2024 Louise Bogan Poetry Award, his debut collection Splice was published in July 2025 by Trio House Press.