Larson’s Pond
Alison Townsend | Poetry
(For Tom)
Sitting beside the water after hiking,
it’s easy to let go, leg muscles tired
from doing the work they love, carrying me
up and down the steep ridges of the Driftless.
Slouched on a wooden bench on the small,
floating dock, I surrender to ripple and drift,
dragonflies skimming the water in a blur
of blue, the chitin of their translucent wings
veined with delicate fretwork. Now and then,
a tree swallow swoops and skims the surface,
though there are less of them each day, as insects
decline and late summer whittles things down,
unrolling its canvas of russet and yellow
and bronze, the prairie swaying around us
like a page in a child’s illuminated book.
Lifting my face to the sun, there is nothing
to do but breathe, my soul unstitched
from the stiff binding we call time, no need
to do anything but be, that verb we are taught
to banish because it’s passive, because it slows
things down, when in truth it’s everything
in existence, all that happens in the world—
clouds mirrored like dreams on the water,
the tiny sweat bees sipping salt from my skin
like flecks of molten gold, the shape of you,
breathing beside me, everything balanced
and alive in the moment, the way we are in time—
was, is, and will be present together,
existing all at once, on this bright page,
torn from the end of summer.
Alison Townsend is the author of a memoir-in-essays, The Green Hour: A Natural History of Home (shortlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay); two books of poetry, Persephone in America and The Blue Dress; and a short prose volume, The Persistence of Rivers. Her poetry and nonfiction appear in numerous journals, such as About Place, Blackbird, Catamaran, The Kenyon Review, Parabola, and The Southern Review, and have been recognized in Best American Poetry, The Pushcart Prize, and Best American Essays 2020. Professor Emerita of English at the University of Wisconsin-Whitewater, she lives on four acres of prairie and oak savanna outside Madison.