Dead Sweeties
Terese Svoboda | Poetry
Postcards just as inarticulate as the boy behind the wheel, sheets of
airmail tissue (cheaper!) penned close with detail; a corsage with a blunt note:
each missive begged mate me, an imperative I often obeyed, curious, unafraid,
yet confused by the rough retreat, post-charm, post helter-skelter.
A boxful of evidence however crude – even a magic marker thrown
from a tree before the bear sank its teeth into it – proves their valor.
They were brave to court me, an obstacle to be written around,
a mind to be baffled, a body to be caressed and carried away
to their lairs for the little commas of tomorrow and tomorrow.
I applaud such palpable literary assault, even the stopped sentences
drawn through, the purple ink and quixotic spelling, for now electronic missives
are so easily unplugged, and whose withered hand will caress those?
To have put down the bat or carburetor or guitar, and the longing
measured out in smudged script then glued shut with kisses alleged
sincere and wet – the letters arrived, and my fingers – quick – slid
under the flap and tore them open, the edges now so ragged and soft.
Terese Svoboda published her second memoir and 24th book, Hitler and My Mother-in-Law last December. PW gave it a star, and the NYTBR reviewed Roxy and Coco, her eighth novel, and The Long Swim, her third story collection in 2024. The Horse-Headed Forest will be published by New Directions in 2027.