DESTROYING ANGEL (AMANITA VIROSA)
Matthew Buxton | Poetry
Often confused for meadow
or horse or button. Sometimes
confused by the veil concealing
the universe of my young
self so a future can grow up
to destroy it: the volva
another name for ruins.
Some call it a cycle of foresight
or historic recurrence (though
the organed dome
looks like foreskin to me).
I call it my life
insurance nightmare from
Hell. Beneficiaries: offspring.
Offspring: spores produced
in gills and tubes and pleats––
But who should we write the check for?
Between the paper-
thin ribs, check up the long stalk, past
my annulus. Microscope it.
Count chromosomes. Do some
arithmetic. Golden spindle
fibers pulling sister
chromatids towards the star-
shaped asters. Cleavage. Meiotic
split. You know this!
Made the mistake of biting
up my skirt. I tell you what
follows––the amatoxin
absorbs into a stream
of blood, halting transcription.
Imagine, forgetting the language
of body. Vomiting,
cramps, convulsions follow.
Before death, delirium.
(I believe, I believe)
Finally, in that great clearing,
the man with wings
shielding his body
like closed parentheses.
Matthew Buxton is a queer writer originally from Salt Lake City. He holds an MFA in poetry from the University of Michigan, and his work appears or is forthcoming in The Kenyon Review, ONLY POEMS, Copper Nickel, The Iowa Review, Chicago Review, Bat City Review, RHINO Poetry, Frozen Sea, which nominated him for a Pushcart Prize, among others. He has been recognized by the Vermont Studio Center, McCormack Writing Center, and the Fine Arts Work Center. He is represented by Sterling Lord Literistic and now lives in Chicago.