WINTER
Matthew Buxton | Poetry
As a homosexual who, for most of Time, was not yet born,
I must be blunt: what I do inquiring of seasons has more to do
with concealment than iteration. The first dusting of snow
covers the tennis court’s broad shoulders like a mink fur coat
and less like a simile dressing the acrylic surface in masculinity.
Forgive me, Ashbery, I am imitating your imitation of Bashō
because I want to, and not because I think anyone will question
when I tongue the rim of a cider bottle. If we called the aspen
forest, “legs multiplying from the snowbank,” and instead
of eyes, insisted their dark knots were unbleached assholes,
we might understand each other’s pain better. I got a hand job
in the gym locker room because I was bored of being able to
fuck with the curtains pulled open as traffic outside filled my
ornamental wreath with seasonal music! It’s like when we were
done hiding in poems, we made a sport of romanticizing it.
Like football players cosplaying gladiators in an ice-slicked
colosseum, because what is more American than imitation?
If I have spoken out of line, let’s redefine Time as a winterberry
bush, and when the next boy is plucked like the syntax of a
gerund turning past tense, he will greet us where the soil is
too cold to know it is wet.
A nightmare seems too strong a verb for some trees trembling
in the backyard.
Matthew Buxton is a queer writer originally from Salt Lake City. He holds an MFA in poetry from the University of Michigan, and his work appears or is forthcoming in The Kenyon Review, ONLY POEMS, Copper Nickel, The Iowa Review, Chicago Review, Bat City Review, RHINO Poetry, Frozen Sea, which nominated him for a Pushcart Prize, among others. He has been recognized by the Vermont Studio Center, McCormack Writing Center, and the Fine Arts Work Center. He is represented by Sterling Lord Literistic and now lives in Chicago.