
Sestina Historica
Weijia Pan | Poetry
After Du Fu’s “Climbing the Heights”
How yesterday’s thoughts caught in a fish net
can interrogate a nation: to scatter soil and know
that in my tradition, soil formed humans:
rake the leaves that whistle in the wind
then flower: the long river comes on churning:
in hardship I bitterly resent my tangled,
frost-white locks, thinking time: to be entangled
in its endless long hair: to be on the Internet
where a four-year-old set my stomach churning
blowing off his father’s head: who knows
what brings danger: returning too late: a wind
and a thin twig: in 1643, a drought in Hunan
killed millions: as soldiers in Beijing manned
the sleepy, forbidden gate: as bureaucrats tangoed
on paper, calligraphing poems, their sleeves stirring up a wind
in the provinces: a typhoon in the counties: where fishnet
stockings are built, 381 years later, by firm hands that know
and feel all: at 3:02AM a woman wakes to the churning
of the sea: at 4:51AM a man dreams of an urn
into which he falls, making no sound: how humane
to die in silence: to leave a sweatshop of NO2
for a heaven of yes: Gucci bags: reeds untangling
as a freighter barges in: a janitor wakes for his net
daily gains: a contract: a confusion: but hear the wind
accomplicing: two scooters crash and riders unwind
loads of Shanghainese cusses: a real, burning,
capitalized desire: to howl: like wind beating
against my door, this night I write: my broken hood
called for this: when anyone might wake up to strangle
their boss: when a flower blooming not long ago
is now specked by exhaust: a novelist cleans her elbows:
an editor smokes, looking at himself, double-chinned
in the sink: it’s 2024, and he doesn’t like her angled
shoulders, how, when she’s on top, light burns
her face slowly, making it oily: as we’re human,
are we capable of love: or beauty: or in sweat,
forgiveness: as sparrows chirp under the eaves, their tango
nonstop: she once put a dried rose in their nest
as wind rekindled his cigarette, burning it to its end.
Weijia Pan is the author of Motherlands, selected by Louise Glück for the 2023 Max Ritvo Poetry Prize and published by Milkweed Editions in 2024. A poet and translator from Shanghai, China, his poems have appeared in AGNI, Boulevard, Cincinnati Review, Copper Nickel, Georgia Review, Poetry Daily, and elsewhere. He received an MFA in Poetry from the University of Houston, where he was a winner of the Paul Verlaine Prize in Poetry. He is currently a Stegner Fellow at Stanford University.