Second Location
John Estes | Poetry
Everything you’ve ever wanted is [sitting] on the other side of fear
—“George Addair”
It still happens, read the news, a machete attack
Just the other week, brazen broad daylight,
Not an hour away from where I sit doing this
Instead of tardy taxes or building up a following
(In 1997, Albert Goldbarth said to me, Virgil
Didn’t spend his time working on Virgil.com
But please subscribe to my email newsletter)
A man (naturally) arrested strolling from the scene
Bloodied steel in hand still, a hacked off
Head left behind beside the body (in films they fly
Across the room, not so in true meatspaces)
So cinematic actually it’s of little actual interest,
Human or otherwise, you had to have dug a bit
To surface the story and first been bored
Naturally in subsequent days multiple massacres
If stories can be said to break into a world
So thoroughly ruptured the clichés are broken
Horrors rained down on jews and students
Don’t be afraid to be topical as time and the news
Cycle quickly enough is typically good advice
The terms for eternity so hardly set in concrete
You know how every year there arrives that day
When the leaves have worked loose enough
And the wind gusts just enough to dislodge them
To shower them down in a steady cascade
So pretty, really, like Nature going aura farming
Even if, from vantages high enough, on timescales
Long enough, it’s cups and balls all the way
Down kind of how there remain people who refuse
To say google and insist on saying search
You know it’s not the change it’s resistance to it
That illuminates the truth: you have to make—
OK let’s say induce—the people to care
About your bike wreck or your book or your heart
Principles of personal branding divinely
Disclosed founded on the bedrock of routine
But even the best of dogs habituated to its walk
Will shit when it must without assumption
If only you’d look (look!) you’ll see holocausts
Everywhere and still there’s poetry
Much of it, too, barbaric and senseless and bad
Lost like Taco Bell in discontinuing the Enchirito
For my purposes the symbolic exography
Of flagrant perfection on a mass scale (I mean,
Black olives, come on); the end comes in late 1993
As NAFTA goes online and begins the end of
Manufacturing and manhood in America
Proof it’s possible to miss what we don’t long for
Animal mythologies and maximum entropy
The whole package of broken glass and the untold
Role discretion plays in sadness
John Estes directs the MFA and Creative Writing Program at The University of Alabama and lives in Tuscaloosa. He is author of three poetry collections: Kingdom Come (C&R Press, 2011), Stop Motion Still Life (Apocryphile Press, 2026) and Sure Extinction (2017), which won the Antivenom Award from Elixir Press. A book of short fictions, The Irrelevant Self, is also forthcoming.