Santa in Three Parts
Natalie Padilla Young | Poetry
A pair of stuffed Santa pants lives
at our house, once part of a whole
on clearance at Walgreen’s. Some genius
designed Santa’s body in three parts:
head + torso and arms + pelvis and legs.
Each third held to the next by velcro.
The last section is what gets attention—
Santa booty here, Santa booty there—torso replaced
with a very small tennis ball. Sometimes
Santa booty bounces along the floor as brilliant
yellow hits polished wood, paws and teeth
grab a flailing boot. The segments
had squeakers, but anyone with a dog knows
Santa’s voices were quick to go. The new puppy adores
Santa’s pants, just like the puppy before
who never wanted Santa’s absent head
attached. Now that puppy is a dog,
and the puppy before him is old, so old her own limbs
flail, slip enough on the same wood floor,
we buy her booties—a gift of traction
but not the will to go
after toys. Puppy brings Santa over
again: throw the booty, bring back, tug, throw,
bring. Between launch and pull,
very old, very good dog appears,
not because she cares about the game. I don’t
honestly know what
her because has become.
But if I was very old and very good, I’d want someone
to stop that stupid baby
from tearing up Santa’s final piece and then lie:
how rested and happy the missing head must be.
Natalie Padilla Young co-founded and manages the poetry magazine Sugar House Review. She is half Puerto Rican and half Brigham Young, working as an art director for a Salt Lake City ad agency. Her first book All of This Was Once Under Water is out from Quarter Press (2023). Natalie’s poetry has appeared in Green Mountains Review, Tampa Review, Rattle, South Dakota Review, Los Angeles Times, Tar River Poetry, Terrain.org, and elsewhere. She serves on the Utah Arts Advisory and Lightscatter Press boards, and lives in southern Utah with the poet Nano Taggart and two dogs. NatalieYoungArts.com