My Delinquency
Samuel Amadon | Poetry
Having to be so without having to be so, I take my seat at the bar.
It’s my manner. I’m willful. Absent. Crisp. And cold. I know
where to point my eyes when speaking, when listening, when
the check arrives. I’m having lunch today because
I’m pretty civilized. When I ride the train, I curve
when it curves, and I stop when it rests—after I take a sip, I pause
to take a breath. Here is my theme. I’m late for this. I’m late
for that. I’ll ask you to move back
from the billiard table while I take my shot. I hold the cue with
my fingers though my fingers flop. This is
the sweet season. These are salad days. I walk
into the diner, into the park, out onto the rocks above the lake in love
with my blue t-shirt, my blue jeans, my watch and my cologne.
I’m happy to talk with you, and I’m happy to be alone.
I find my legs cross at the ankles as I sit in a row
as if with others in a hallway stretching over and out of
corners with empty classrooms, water fountains, lights
dimming off their sensors—I’m all “after school”
and up to chat as I lay my hands flat to the tiles and look
from side to side in a sequence
of nods and smiles. As often as I like, I get away from myself
toward the talk I’m into, conversations after
the thing, breezing on my daily vacations, unoccupied
in extra time. Come back, come back. The watch on my hand
has no strap. I’m adult, I’m outside, and if it’s
a fault, I mean, then the fault is mine. This is how I’ve dared
all afternoon on the stone steps below the tree
filled with blossoms and bees, waiting for someone who looks like
me, after he’s casually gone absent from the meeting
room, out for a twirl past my stoop—for me
there’s something moored to this business
not through—the sun on our skin and everything due.
Samuel Amadon is the author of Like a Sea and The Hartford Book. His poems have appeared recently in The New Yorker, Poetry, American Poetry Review, jubilat, Lana Turner, and elsewhere. He teaches in the MFA program at the University of South Carolina and edits the journal Oversound with Liz Countryman.
Featured Image by Dan Roizer