Department of Labors
Elizabeth Lindsey Rogers | Poetry
Is it true the female
body is designed for it
given that month after month
I make myself a carrier
for various pains:
for the sting of snow
as I reach barehanded
for the glove my son
dropped in the yard.
For the baby’s thinning gum
I touch with cold cloths.
Laundry loads. Burns
from pans. Catching vomit
in my hands: this, I joke
is my intuitive superpower.
For my knees, saying I should’ve
been more careful to stay in
the joint’s natural range. The years
I spent carrying, propelling
myself and then others.
For the homesick student
held last night against her will,
she who now believes her
own detachment will be her
life’s sumtotal. There’s more,
I tell her.
There’s more.
For my wife, whose body
spontaneously aborted
twice, my arms lifting her
from our blackwhiteblack
of bathroom tile, six blocks
away from the Capitol
where we will let Them
make the decision. My wife
who has torn twice in service
of others’ delivery: once
in the rectum, once in the clit.
Both times I watched, unable
to take any meaning away.
For my five-year-old son
who tries not to cry now
as he tells me two boys
he is desperate to hug
knocked him over,
wouldn’t let him
get up. The wolf of me
aches to strike them
but this is not allowed.
Instead I tell him: back away,
understand not everybody
wants like you want.
For the well-meaning people
who say: but because he has you
he’ll still turn out okay.
Does you mean my purpose
is to shoulder injury or just
to counterbalance bitterness.
For when the president mocks
the kind of man my son
may one day become,
his president’s hands fake-
flapping while his mouth
writes orders to ax our
livelihood, blast the land,
cage children at borders.
You might say I am resigned.
I am not resigned.
For that abnormal growth
that has resigned me back
into the doctor’s office, hearing
I’m now at risk for everything
because I never properly bore
my own inside my body,
that chance to fully curfew
my rhythm’s natural swell.
I ask, is this my reckoning.
Once, traveling up north
on the second day, no place
of decency to collect or manage,
I crouched low along the rock,
my blood falling straight to snow.
Elizabeth Lindsey Rogers is the author of three poetry collections: Bad Cell (Acre Books, forthcoming in 2027), The Tilt Torn Away from the Seasons (Acre Books, 2020), and Chord Box (U of Arkansas Press/Miller Williams Series, 2013), as well as an essay collection, Miss Southeast (Curbstone/Northwestern University Press, 2021). Her poems appear in POETRY, AGNI, Gulf Coast, Bennington Review, and elsewhere. Rogers is an assistant professor of creative writing at Oberlin College, where she also leads the Writers in the Schools program.