At Bates Mill Dermatology
Robert Carr | Poetry
where I spread cheeks
in search of yeast,
freeze the keratoses,
dip my head in liquid
nitrogen, send cancer-
ous craters to the moon,
I’m reminded—sun
and fragrance are culprits,
browning of the body,
peppermint goat soap,
the lavender field in showers,
every scented ointment,
cream and lotion.
I tell the doctor everything
is natural. He replies,
Poison ivy’s natural too.
and hands me pristine
lists of what should be
applied. Vaseline Petroleum
Jelly (decades since I used
that lube) Vanicream
(there was a time,
on city streets, men stopped
and turned and ogled)
Aveeno, glycerin soap
(in mirrors, fingers under
ears, I lift my slack
throat) sunscreens
for sensitive skin, Endless
Summer, Daily Defense
(in Grindr groups
I cover scars) There’s a
quotation, unattributed,
at the bottom of the page,
The skin has a memory.
That evening, warming
near a fire, I ask my husk
what it remembers:
Hunger in boy’s hands.
Robert Carr is a Maine-based author of five collections of poetry, most recently, Blue Memento (Lily Poetry Review Books, 2025) and Phallus Sprouting Leaves, winner of the 2024 Rane Arroyo Chapbook Series (Seven Kitchens Press). Robert’s work has appeared in many journals and magazines including The Greensboro Review and Shenandoah.