Allegiance: this strange tenderness
Ceridwen Hall | Poetry
for my generation. Not our malls, but the way we burned
CDs, passed songs from hand to hand. Has it been so long?
a friend says as we scroll through first and last
names on our reunion invitation: a mental parade
of kindergarten grins, pre-teen braces, chemistry goggles,
a few blank mysteries. I confess my backward yearning
for the routine of homeroom and bells—our day broken
apart with a clear path through the gray zone of it,
and small free gaps tucked between assignments,
between subjects. A note-taker, I learned by writing:
a role I was to inhabit. And yet, memory is tender still
of that moment wedged on the bleachers trying to smile
for a photo while also trying not to weep with my belief
I’d never quite belonged; I didn’t gleam correctly,
was too interested in obscure tracts, too drawn
to history’s fogged mirror. I don’t know who laid
her palm in blessing on the blade of my shoulder that day,
but I would like to thank her now. Some things we do,
my brother says, to salute our former selves; he means
cheap beer in old stomping grounds. But I keep drifting
back to those tense months after 9/11—muted news
running in the hallway, and grave discussions in class,
the sudden comradery with adults who stopped
pretending they could protect us. There was no point
in studying—and there was every point: conflicts
to understand, a changed geopolitical reality to prepare
for. And, meanwhile, slams of locker doors, the swipe
and sweep of cafeteria duty, the slow-fast tidal wave
that was the internet reshaping our lives, arguments
about waterboarding and war crimes, the FBI, rumors
about which DMV location offered the easiest in-car
driving test. We who thumbed messages on flip-phones
or called home with updates after far away games,
we live in a world beyond prediction, having survived
by now plague and insurrection, also recession
and distraction. What odd fondness I feel for us—
our shared milk-carton years, our scattering
from the bus where we sat in pairs and hummed along
to whatever boomed from the speaker, or we read
from a shared book, nodding a signal to turn the page.
Ceridwen Hall is a poet and educator. She holds a PhD from the University of Utah and is the author of Acoustic Shadows (Broadstone Books) and two chapbooks: Automotive (Finishing Line Press), fields drawn from subtle arrows (Co-winner of the 2022 Midwest Chapbook Award). Her work has appeared in TriQuarterly, Pembroke Magazine, The Cincinnati Review, Craft, Poet Lore, and other journals.