PILLAR
Jennifer Loyd | Poetry
The last time I saw
my grandmother alive
I was drunk
she was nasty.
I asked about ancestors
“We were Condé Nast,”
she said
(the narrow stairs of dementia between us)
and “you’re always
building fences.”
The last sin of Lot’s unnamed wife
was not looking back
but looking at all
what god didn’t know
is that she had a name
in Sodom.
My own looking
is sometimes longing, sometimes spite,
a kind of sexual
anorexia.
I am still fleeing
my grandmother’s
orphanage.
The whites of our eyes
pure
salt.
I don’t need ancestry.com
to tell me
we are not
Condé Nast,
but with the salt filling
our throats
like stars
(those five-pointed fingers)
wouldn’t you too look
for another metaphor
or for the tornado
inside the pillar?
Based in West Texas, Jennifer Loyd is a poet, translator, and a former editor for Copper Nickel, West Branch, and Sycamore Review. For her poetry exploring the archives of Rachel Carson, she has received a Stadler Fellowship, as well as research grants from Purdue University, where she earned an MFA. Her poems and prose, which explore the intersection between private voice and public narratives, appear in Best New Poets 2022, The Southern Review, The Rumpus, Shenandoah, Prairie Schooner, Poet Lore, and elsewhere.