A Watershed is a Drainage System
Hannah Smith | Poetry
Something more desperate than steam
peels off the tarmac. Dallas is flat as we fly in.
The Trinity is drying more every year
since I left this place. There’s news
of a conservation project I cannot see
from my seat in the sky. Years back, boys
I used to know in the beds of pickup trucks
caught four-foot alligator gar
along the bank. Prehistoric monsters
with origins in the Permian. Of course,
they are endangered now—rules are loose
around catch and release. I make a mental note
to walk the newly-built bridge named for the daughter
of an oil tycoon. Its cables spin up, a tangle
of sharp white wires that reflect on days
the water isn’t so cloudy. My sister calls
me or my mother when she needs to complain
about womanhood, how we wish we were all
flat-chested, how we’ve wondered where to invest
our bodies. There is a flashflood warning
as we land. The water will swell then retreat
back to its cracked mudbank. I was sixteen
the last time I walked this river. All my thoughts
drained, then filled into a clean tampon tossed
to the river’s edge. It must still soak itself
along the waterline, waiting for time, compression,
some especially desperate fish to sink
its teeth into cotton folds blooming open, waiting
like I wait at the baggage claim pick-up, unsure
if I’ll beat the storm. A short drive to the yard
full of trees in their shedding season.
Hannah Smith is a writer from Dallas, Texas. She is an MFA candidate in poetry at the Ohio State University, where she serves as the Managing Editor of The Journal. She is a Best of the Net nominee, and her poems have been published or are forthcoming in Gulf Coast, Mississippi Review, Nimrod, Palette Poetry, and elsewhere. Her collaborative chapbook, Metal House of Cards, is forthcoming from Finishing Line Press.