Crowded House
Nicky Beer | Poetry
Harald Sohlberg, “Fisherman’s Cottage”
in the museum gallery
craquelure on black Norwegian trees
as if the dusklight is piercing through
their wooden centuries
the glowing white cabin on the edge
of the water is home in any language
people nearly pass by the painting
without looking but again and again
they pause as if hearing faint music
faces lightly creasing for a moment
as if trying to recall a name from childhood
I love watching these brief hauntings
seizing strangers a jog in the fabric
of their public days I feel
I am holding for them the loose
strange moments already sliding
off of time always be careful
in the city you may go home
with your pockets filled with someone
else’s hours like walking off
with the half- full shopping cart
that isn’t yours doorways
built in other centuries watching
all your little orchestrations
for a moment we all lived in that pale house
beyond the woods empty but for the sound
of each other’s footsteps echoing
just on the other side of the air
Nicky Beer is a bi/queer writer, and the author of Real Phonies and Genuine Fakes (Milkweed, 2022), winner of the 2023 Lambda Literary Award for Bisexual Poetry. Her other books, The Octopus Game (2015) and The Diminishing House (2010) both received the Colorado Book Award for Poetry. She has received honors from the Guggenheim Foundation, the National Endowment for the Arts, MacDowell, the Poetry Foundation, Ragdale, and the Bread Loaf Writers’ Conference. She is a professor at the University of Colorado Denver, where she is a poetry editor for Copper Nickel.