
It’s the stage of grief where
Emily Skaja | Poetry
I become attached to a loaf of bread
that (in low light) almost looks like a baby.
Welcome, little one! I know my rights,
so I can’t be denied my own miracle
in a land where people idolize
the face of the Virgin on toast.
At the Y with Baby Pumpernickel,
I sign us up for Mommy & Me swim class,
ignoring the looks from busybody aunties—
Yes, I know it’s very different
from how it was in your day,
when you drove us around
loose in the back of a minivan
shaking rattles made of lead
while you chain-smoked
with your girlfriends up front.
Yes, you told me. A magical time.
You wore Cherries in the Snow
& pantyhose from an egg.
This is my magical time,
& it’s perfect.
I’m an excellent mother.
I’ve read all the books.
I labored a few hours,
& then I went back to work.
Despite my haters, I have nothing
to prove. I proved the baby—
& rather beautifully, she rose.
These conventional babies
are cute, but my little loaf
stands out, don’t you think?
Don’t say it. Stop.
I know how they look at us.
Such a quiet baby. Never any fuss.
I’m not like these other mothers
whose babies keep them awake,
demanding they smile & bob
to pop hits from the 80s
like some kind of all-muppet karaoke.
No, no—my baby respects me.
She loves her swaddle
& doesn’t even wake
when the motion alarm goes off
on the front door.
When I answer, same as ever,
there’s no one there.
Just the cherry tree again,
waving its empty arms.
Emily Skaja is the author of BRUTE (Graywolf 2019), winner of the Walt Whitman Award from the Academy of American Poets. She is the recipient of fellowships from the Civitella Ranieri Foundation and the National Endowment for the Arts. Her work appears in American Poetry Review, The Nation, and The New York Times Magazine. She is the founding editor of the Poetry Prompt Generator, an online resource for poets and educators, and she teaches in the MFA program at the University of Memphis.