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Rock-a-Bye-Baby Boogie-Woogie

Donald Platt | Poetry

On the twelfth floor

of the Belvedere Hotel, I pass a door that says EMPLOYEES

ONLY. Through

its rectangle of glass reinforced with latticework of wire,

I see three small

green dumpsters, each stenciled in white CENTURY WASTE.

They are piled high

with black trash bags. A week’s worth of hotel garbage

to be taken down

on the service elevator, wheeled out to the street, compacted

by a garbage truck,

and hauled to some landfill on Staten Island. There, they’ll become

part of a Mount

Trashmore tall as the pyramids in Giza. I wish the first quarter

of our 21st century

could be placed in three-ply, black, plastic bags, twist-tied,

trucked to an outer

borough of our galaxy, and forgotten so we might start over.

No more land mines,

concertina wire, white phosphorus, F-35 fighter jets, smart bombs,

dumb bombs, drones.

No more Iron Dome. No more unexploded cluster munitions.

But Pandora’s

war chest has been opened. Ohio-class nuclear submarines

dive 1,500 feet.

They approach crush depth. They carry up to 154 Tomahawk missiles,

each armed with twelve

Trident II D-5 warheads with a range of 6,500 nautical miles.

One such

nonesuch submarine can blow up half our hemisphere.

Fireworks

for the Fourth of July. We will end up in a dumpster labeled

CENTURY WASTE

on the thousandth floor of hell’s hotel. When the bough breaks,

the dumpster will fall

And down will come baby, dumpster and all. Next exit is us,

human arthropods

who have skyscrapers for exoskeletons. Hives for bees whose only

honey is money.

Strangely, what comes to my mind is Domenico del Ghirlandaio’s

portrait of an old

man in a vermilion, fur-lined robe, holding on his lap

a boy in a scarlet

cap, from which golden ringlets escape and flow like water

in a waterfall

that plumets over a hundred-foot cliff, gets pounded on rocks

to sun-spangled

mist. The child gazes up at the old man’s warty forehead.

Receding hair

turned to iron. Bumpy, bulbous nose deformed by rhinophyma

to the texture

of cauliflower. He rests one small hand on his grandfather’s chest.

The old man

looks back. How did I grow to be so old, so ugly, so quickly?